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The English Secretary (originally The English Secretorie) is a book by the rhetorician Angel Day, first published in 1586. [1] [2] Among the most notable and popular manuals of letter writing in the 16th and 17th centuries, [3] [4] the work combines influences from medieval practices and Renaissance humanism, and reflects the expansion of the reading public in Elizabethan England.
In August 1993, Kent Beck and Grady Booch sponsored a mountain retreat in Colorado where a group converged on foundations for software patterns. Ward Cunningham, Ralph Johnson, Ken Auer, Hal Hildebrand, Grady Booch, Kent Beck, and Jim Coplien examined architect Christopher Alexander's work in pattern language and their own experiences as software developers to combine the concepts of objects ...
The patterns were offered one size to a package until the 1980s, when slower sales made "multisized" patterns (which had several different sizes in the same package) more cost effective. At first, the pieces were not marked and no pattern layout was provided, leaving it up to the sewer to decide which piece was the collar, which the sleeve, etc.
English ladies were often taught an "Italian hand", suitable for the occasional writing that they were expected to do. [4] Grace Ioppolo notes [ 2 ] that the convention in writing the texts of dramas was to write act and scene settings, characters' names and stage directions in italic, and the dialogue in secretary hand.
Angel Day was an Elizabethan rhetorician and scholar chiefly known for his The English Secretary (1586), the first comprehensive epistolary manual to employ original English rather than classical models. The book belongs to the genre of instructional manuals, marketed for the growing business and middle classes of late 16th century England, and ...
By 1700 the English bureaus switched from supporting legs to set drawers all the way to the floor; one of the most popular versions was the bureau-cabinet with a tall cabinet above the desk. [1] The designs from England quickly spread throughout the Northern Europe and Italy, in the process getting elaborate outlines.
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
[12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14] But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines ...