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Sgt. Pepper's Lonely Hearts Club Band (1967) The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band has a widely recognized album cover that depicts several dozen celebrities and other images. The image was made by posing the Beatles in front of life-sized, black-and-white photographs pasted onto hardboard and hand-tinted.
Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles.Released on 26 May 1967, [nb 1] Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music.
Sgt. Pepper's Lonely Hearts Club Band is a double album produced by George Martin, [1] featuring covers of songs by the Beatles.It was released in July 1978 by RSO Records as the soundtrack to the film Sgt. Pepper's Lonely Hearts Club Band, which starred the Bee Gees, Peter Frampton and Steve Martin.
In a key action sequence in Sgt. Pepper’s Lonely Hearts Club Band, a discombobulated movie musical composed entirely of bizarre Beatles covers, the Future Villain Band, portrayed by Aerosmith ...
This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
His best known work is the cover photography for the 1967 LP Sgt. Pepper's Lonely Hearts Club Band by The Beatles. The "Welcome the Rolling Stones, Good Guys" sweatshirt worn by the "little girl" figure on the far right of the photo (actually a cloth figure of Shirley Temple ) was provided by Cooper's young son Adam, [ 3 ] the product of his ...
Sgt. Pepper cost £25,000 to produce (equivalent to £573,000 in 2023), [238] far more than any previous Beatles record. During the album's recording, Martin periodically worried whether the album's avant-garde inventiveness would alienate the general public; such concerns were alleviated by previewing tracks to guests, such as Capitol Records ...
In Record Mirror, Norman Jopling wrote that, whereas on Sgt. Pepper "the effects were chiefly sound and only the album cover was visual", on Magical Mystery Tour "the visual side ... has dominated the music", such that "Everything from fantasy, children's comics, acid (psychedelic) humour is included on the record and in the booklet." [159]