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Rousseau was born in Laval, Mayenne, France, in 1844 into the family of a tinsmith; he was forced to work there as a young child. [7] He attended Laval High School as a day student, and then as a boarder after his father became a debtor and his parents had to leave the town upon the seizure of their house.
Most critics mocked Rousseau's work as childish, but Félix Vallotton, a young Swiss painter who was later to be an important figure in the development of the modern woodcut, said of it: His tiger surprising its prey is a 'must-see'; it's the alpha and omega of painting and so disconcerting that, before so much competency and childish naïveté ...
The Repast of the Lion is an early 20th century painting by French Post-Impressionist Henri Rousseau. [1] Done in oil on canvas, the work depicts a feeding lion in a jungle setting. The painting expands upon some of Rousseau's late 19th century work, and the foliage depicted in the painting was inspired by the artist's studying of Paris ...
His last completed work, it was first exhibited at the Salon des Indépendants from 18 March to 1 May 1910, a few months before his death on 2 September 1910. Rousseau's earlier works had received a negative reception, but poet and critic Guillaume Apollinaire remarked on its debut: "The picture radiates beauty, that is indisputable. I believe ...
The Snake Charmer (French: La Charmeuse de Serpents) is a 1907 oil-on-canvas painting by French Naïve artist Henri Rousseau (1844–1910). It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
Henri Rousseau's The Repast of the Lion (circa 1907, Metropolitan Museum of Art) is an example of naïve art.. Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). [1]
In a Tropical Forest Combat of a Tiger and a Buffalo (1908–1909), by Henri Rousseau. In the arts of the Western World, Primitivism is a mode of aesthetic idealization that means to recreate the experience of the primitive time, place, and person, either by emulation or by re-creation.
The Muse Inspiring the Poet is a 1909 oil-on-canvas painting by the French artist Henri Rousseau, forming a double portrait of Marie Laurencin and Guillaume Apollinaire. Owned for a time by Paul Rosenberg, it is now in the Kunstmuseum Basel. [1] Another version of the work is now in the Pushkin Museum in Moscow.
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