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The room is relatively bare and uncluttered, in simple 1960s minimalist style, with a telephone and a lamp on the floor to the right of Clark, and a plain table to the left of Birtwell bearing a vase of lilies and a yellow book. There is a framed print on the wall behind her.
The canvas depicts yellow, white, pink and red roses in a narrow glass vase on a wooden table. A small stem with a white rose and two pink buds are extended on the left. The background is dark green and textured. Some flowers seem to have been cut prematurely, while others are collapsing. [2]
In Still Life: Vase with Pink Roses the audience can see Van Gogh's keen awareness of the interplay of color that he acquired over time, especially if one can imagine the original, deeper pink of the roses on the complementary green of the painting for dramatic and emotional effect. The choice of colors, and the manner in which they are painted ...
Flowers in a glass vase on a marble table: 1704: 83.8 cm x 67.0 cm: 1995.67: Detroit Institute of Arts: Detroit Roses, tulips, ranunculus and other flowers in a glass vase, with plums: 1704: 92 cm x 70 cm: 2751: Royal Museums of Fine Arts of Belgium: Brussels Flowers in a glass vase, with peaches and red berries, on a marble slab: 1706: 100 cm ...
Garland painting in the Prado. Nicolaes van Verendael was a respected flower painter in Antwerp who worked with Jan Davidsz. de Heem, among others.The early provenance of this painting is unknown but it can be dated based on other works by Van Verendael, such as his garland painting in the Prado which was long attributed to Jan Brueghel the Elder, who began floral painting in Antwerp a half ...
The lilies in the earthenware vase on the table represent Mary's virginity. Other symbols of her purity include the enclosed garden ( Hortus conclusus ), [ 24 ] and the white towel, while the small windows to the right, and the half-closed windows at the rear, serve to emphasise the quiet, virginal life she has lived.
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