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The Church was a major influence for music in the 16th century. The Puritans wanted to do away with all church music, but the will of the people to sing only made it more predominant. [4] Many composers that wrote for the church also wrote for the royalty. The style of the church music was known as choral polyphony.
Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the Puritan rulers. After the English Restoration, Shakespeare's plays were performed in playhouses, with elaborate scenery, and staged with music, dancing, thunder, lightning, wave machines, and ...
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor.He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
The four tragedies considered to be Shakespeare's greatest (Hamlet, Othello, King Lear and Macbeth) were composed during this period. Comedies were common, too. A subgenre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy.
Felix Mendelssohn’s overture to A Midsummer Night’s Dream (1826) was a descriptive piece intended for concert performance, though he later added incidental music for a production of the play in 1843. [2] The Shakespearian music of the 19th century was more often associated with the opera house or concert hall than with productions of the ...
The first page of The Famous Hiſtory of the Life of King Henry Eight, printed in the Second Folio of 1632. The Famous History of the Life of King Henry the Eighth, often shortened to Henry VIII, is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. [1]
– Anastasia, Herdon, Virginia, 15 The role of Desdemona, the devoted, loving wife murdered by her husband in “Othello,” wasn’t performed by a woman until 1660 – about six decades after ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.