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Ambient house is a musical category founded in the late 1980s that is used to describe acid house featuring ambient music elements and atmospheres. [78] Tracks in the ambient house genre typically feature four-on-the-floor beats, synth pads, and vocal samples integrated in an atmospheric style. [78]
The label has been officially established in 2010 by a group of friends, producers and musicians. LucidSamples releases and publishes DJ sample packs/libraries, [1] construction kits, sound effects, patches and other music production tools. All sample packs provided by LucidSamples are Royalty-Free and downloadable from company website. [2]
Ableton Live co-creator Robert Henke. Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. [6] Behles and Henke met while studying programming at Technische Universität Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake.
On 4 October 2024, Selected Ambient Works Volume II (Expanded Edition) was officially released [75] and included both bonus tracks and the previously excluded 19th track. [76] [77] James dedicated the re-release to his mother, Lorna, who had died in 2022. [62] Another listening party took place at the Tate Modern in late October. [78] [79]
Selected Ambient Works 85–92 was released on 9 November 1992 through Apollo, [23] [24] an ambient division of the Belgian record label R&S Records. [ 1 ] [ 23 ] [ 24 ] In the UK, it was initially only available via import because a licensing deal between R&S and Outer Rhythm had collapsed earlier in the year. [ 25 ]
Hostile Ambient Takeover is the fourteenth studio album by the Melvins, released in 2002 through Ipecac Recordings.. Each song was released as a limited 7" vinyl single (limited to 2,500 copies each) that included exclusive B-sides, which are mostly covers (except for "The Anti-Vermin Seed" which was split up onto both sides of its single).
Critic Simon Reynolds cited Artificial Intelligence as a key ambient techno release in a 1994 write-up for The New York Times. [7]In a retrospective review for AllMusic, critic John Bush praised Artificial Intelligence as "a superb collection of electronic listening music."
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