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SG1–25 "Hostile Ground (Book 1 in the Apocalypse series)" Sally Malcolm & Laura Harper: Season 3 (takes place between 3x17"A Hundred Days" and 3x18 "Shades of Grey") August, 2014 () Stargate SG-1: SG1–26 "Murder at the SGC" Amy Griswold: Season 10: April, 2015 () Stargate SG-1: SG1–27 "Exile (Book 2 in the Apocalypse series)"
A number of authors responsible for Stargate novels, including James Swallow and Sally Malcolm were chosen to write for the series, with Sharon Gosling, who had previously written for the Stargate Official Magazine writing and also serving as producer.
The books focus more on politics, with budget issues and human rights considerations playing a large role. The book's version of O'Neil is much more of a straight soldier, while Jackson remains the idealistic maverick scientist. The quartz-like mineral (called Naqahdah in Stargate SG-1) remains unnamed. The city that Kasuf and Sha'uri live in ...
A series of books written by Bill McCay, published from 1995 to 1999, were unofficial sequels to the film. [66] From 1999 to 2001, ROC published four novels based in Stargate SG-1 written by Ashley McConnell. [67] In 2004, UK-based Fandemonium Press started a new series of licensed tie-in novels based on Stargate SG-1. Due to the conflict with ...
Stargate SG-1 (often stylized in all caps, or abbreviated SG-1) is a military science fiction adventure television series within Metro-Goldwyn-Mayer's Stargate franchise.The show, created by Brad Wright and Jonathan Glassner, is based on the 1994 science fiction film Stargate by Dean Devlin and Roland Emmerich.
Stargate comics are a series of comic books based on the 1994 science-fiction film of the same name, and the TV series Stargate SG-1 (1997–2006) and the spin-off Stargate Atlantis (2004–2009). The initial comics were tie-ins with the film and the later output by Avatar Press has been based on the two TV series.
"Window of Opportunity" was the second Stargate SG-1 script by Joseph Mallozzi and Paul Mullie, and their first episode to air.The writing duo's first script, "Scorched Earth", would air three episodes later. [1]
[18] [19] Shooting the pilot, director Mario Azzopardi wanted Davis to portray the character as a stereotypical military general, with Davis calling Hammond "by-the-book" and a "foil for O'Neill", believing the character to be two-dimensional and a poor representation of what the United States military was really like.