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Chinese spiritual world concepts are cultural practices or methods found in Chinese culture.Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious ...
Chinese cuisine is a very important part of Chinese culture, which includes cuisine originating from the diverse regions of China, as well as from Chinese people in other parts of the world. Because of the Chinese diaspora and historical power of the country, Chinese cuisine has influenced many other cuisines in Asia , with modifications made ...
Many religious beliefs and practices of prehistoric China are claimed to be precursors of the Shang religion, which in turn influenced Chinese civilization due to similar elements among them. Certain traits such as animism , ancestor veneration and pyromancy characteristic of the Shang are found to be existent during the Neolithic and Bronze Age.
Walis Nokan (born 22 August 1961) is an indigenous Pai-Peinox-Tayal writer from M'ihu community in Taiwan. Walis began his writing career under the pen names such as Wu Chun-chieh (吳俊傑), Liu Ao (柳翱), and Walis Yukan .
Certain characteristics of the Shang state religion have been identified as prefiguring later elements of Chinese bureaucratic culture. [16] [17] The Shang articulated an image of a supreme being that simultaneously led a body of lesser deities, including both ancestor and nature spirits, while also being a composite of all of them.
The Cultural Revolution, between 1966 and 1976 of the Chairman Mao period in the PRC, was the most serious and last systematic effort to destroy the ancient Chinese religion, while in Taiwan the ancient Chinese religion was very well-preserved but controlled by Republic of China (Taiwan) president Chiang Kai-Shek during his Chinese Cultural ...
Aligning with Chinese anthropologists' emphasis on "religious culture", [82]: 5–7 the government considers these religions as integral expressions of national "Chinese culture". [98] A turning point was reached in 2005, when folk religious cults began to be protected and promoted under the policies of intangible cultural heritage.
Yang Xiong's Fangyan was the first Chinese dialect vocabulary work; the modern Chinese term for 'dialect' is derived from the title of this book. [214] In the Shuowen Jiezi, Xu Shen divided written characters between wen (文) and zi (字), where the former were original pictographs and the latter were characters derived from them. [215]