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The history of German written lute music started with Arnolt Schlick (c. 1460–after 1521), who, in 1513, published a collection of pieces that included 14 voice and lute songs, and three solo lute pieces, alongside organ works.
See Lute, History and Evolution. The European lute and the modern Near-Eastern oud descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [140]
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute.
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
For the western lute, see Category:Lutes. Subcategories. This category has the following 4 subcategories, out of 4 total. D. ... History of lute-family instruments; L.
The lute has "a very attractive and finely varnished maple back, and soundboard with many original bars, made by Sixtus Rauwolf". [2] The lute's owner, lutenist Jakob Lindberg, describes the instrument: "My lute... would originally have been probably a 7 or 8-course lute. There is also inside the lute a label of Leonhard Mausiel of Nüremberg ...
Baron’s Untersuchung is a valuable source of information about lutenists and lute playing in the late Baroque era. It is divided into two main parts. The first deals with the history of the lute, and contains important references to contemporary players. The second is devoted to the practice of the instrument.
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...