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The various serial digital interface standards all use (one or more) coaxial cables with BNC connectors, with a nominal impedance of 75 ohms. This is the same type of cable used in analog composite video setups, which potentially makes for easier "drop in" equipment upgrades (though may be necessary for long runs at the higher bitrates for older oxidising or lower grade of cable to replaced ...
JPEG XS is a light-weight compression that visually preserves the quality compared to an uncompressed stream, at a low cost, targeted at compression ratios of up to 10:1. With XS, it is for example possible to repurpose existing SDI cables to transport 4K60 over a single 3G-SDI (at 4:1), and even over a single HD-SDI (at 8:1).
If an SDTI stream is viewed using a standard SDI device, then the raw data can be seen as a small strip along the left-hand side (usually in purple). The DVCAM SDTI has video data at the top, control data in the middle (Timecode, etc.) and audio at the bottom just like it is organised on the tape.
Alternative to RCA for professional video electronics. Protocols: Serial digital interface (SDI) and HD-SDI. CoaXPress; 75 Ω for video signal (SDI and CoaXPress) on, for example, RG59 and RG6. 50 Ω for data link, like Ethernet on RG58. 93 Ω on RG62. 50 Ω (white/bottom row) and 75 Ω C connectors (red/top row) C connector (Concelman connector)
Two video matrix units in a rack. A video router, also known as a video matrix switch or SDI router, is an electronic switch designed to route video signals from multiple input sources such as cameras, VT/DDR, computers and DVD players, to one or more display devices, such as monitors, projectors, and TVs.
SMPTE 292 is a digital video transmission line standard published by the Society of Motion Picture and Television Engineers (SMPTE). This technical standard is usually referred to as HD-SDI; it is part of a family of standards that define a serial digital interface based on a coaxial cable, intended to be used for transport of uncompressed digital video and audio in a television studio ...
Video decoders and display devices can then use this information, together with knowledge of the display shape and user preferences, to choose a presentation mode. [ 4 ] AFD can be used in the generation of Widescreen signaling , although MPEG alone contains enough information to generate this.
Broadcast cameras typically carry several signals over the camera cable in addition to the camera output itself. Typically, RGB signals are transmitted over the camera cable. The CCU will usually convert these to SDI, YUV or composite for interfacing to other video equipment - typically it will be connected to a vision mixer via a video router .