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The Sickness unto Death (Danish: Sygdommen til Døden) is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard's concept of despair, which he equates with the Christian concept of sin, which he terms "the sin of despair".
Søren Aabye Kierkegaard (/ ˈ s ɒr ə n ˈ k ɪər k ə ɡ ɑːr d / SORR-ən KEER-kə-gard, US also /-ɡ ɔːr /-gor; Danish: [ˈsɶːɐn ˈɔˀˌpyˀ ˈkʰiɐ̯kəˌkɒˀ] ⓘ; [1] 5 May 1813 – 11 November 1855 [2]) was a Danish theologian, philosopher, poet, social critic, and religious author who is widely considered to be the first Christian existentialist philosopher.
The Unscientific Postscript is but one more voluminous commentary on the main theme of all Kierkegaard’s work, the dilemma which he represented by the phrase “either-or”: either aesthetic immediacy, which includes not only the eudaemonistic search for pleasure, but also despair (the “sickness unto death”) and religious or metaphysical ...
Throughout the book Kierkegaard discusses the "confession of sin before God" and the confession of love for another. Unlike his book Eighteen Upbuilding Discourses, he describes the earnest confession before God, marriage, and death as teachers of another kind that accompanies generations. Later, he uses the metaphor "lily of the field and the ...
Kierkegaard felt that imaginative constructions should be upbuilding. Kierkegaard wrote about "the nothing of despair", [22] God as the unknown is nothing, [23] and death is a nothing. [24] Goethe's Der Erlkönig and The Bride of Corinth (1797) [25] are also nothing. The single individual has a reality which fiction can never represent. People ...
The aesthete, according to Kierkegaard, eventually falls into despair, a psychological state (explored further in Kierkegaard's The Concept of Anxiety and The Sickness Unto Death) that results from a recognition of the limits of the aesthetic approach to life. Kierkegaard's "despair" is a somewhat analogous precursor of existential angst. The ...
Many of Kierkegaard's earlier writings from 1843 to 1846 were written pseudonymously. In the non-pseudonymous The Point of View of My Work as an Author, he explained that the pseudonymous works are written from perspectives which are not his own: while Kierkegaard himself was a religious author, the pseudonymous authors wrote from points of view that were aesthetic or speculative.
For Hamann it is also, and precisely, the world which God enters, but for Kierkegaard the place of this event is solely the individual, who in the decision of his faith, effected by grace, rises above the world, with which the “humorist” [in this case Hamann] continues to identify the “idea of God.” Kierkegaard, in other words, reaches ...