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The mere fact that one has the possibility and freedom to do something, even the most terrifying of possibilities, triggers immense feelings of dread. Kierkegaard called this our "dizziness of freedom." Kierkegaard focuses on the first anxiety experienced by man: Adam's choice to eat from God's forbidden tree of knowledge or not. Since the ...
Many of Kierkegaard's earlier writings from 1843 to 1846 were written pseudonymously. In the non-pseudonymous The Point of View of My Work as an Author, he explained that the pseudonymous works are written from perspectives which are not his own: while Kierkegaard himself was a religious author, the pseudonymous authors wrote from points of view that were aesthetic or speculative.
The third part deals with the concept of the abstract and the concrete examples. Kierkegaard wrote of individuals known only as A and B in his first book, Either/Or. He then made them less abstract by making A into the Young Man in Repetition (1843) and B into his guide, the psychiatrist Constantin Constantius.
The cover page to Søren Kierkegaard's master's thesis. On the Concept of Irony with Continual Reference to Socrates (Danish: Om Begrebet Ironi med stadigt Hensyn til Socrates) is Søren Kierkegaard's 1841 master's thesis under Frederik Christian Sibbern []. [1]
Eduard Geismar, Lectures on the Religious Thought of Soren Kierkegaard, p. 57 Augsburg Publishing House, Minneapolis 1937. Walter Lowrie characterized Kierkegaard's authorship up to Concluding Postscript as first "Away from the Aesthetical" and then the works ascribed to Johannes Climacus as "Away from Speculation". [1]
The Essential Kierkegaard. Princeton, New Jersey: Princeton University Press. pp. 544. ISBN 0-691-01940-1; ISBN 978-0-69101-940-6; Søren Kierkegaard, The Point of View of My Work as An Author: A Report to History, and related writings, written in 1848, published in 1859 by his brother Peter Kierkegaard. Translated with introduction and notes ...
The knight of faith (Danish: troens ridder) is an individual who has placed complete faith in himself and in God and can act freely and independently from the world. The 19th-century Danish philosopher Søren Kierkegaard vicariously discusses the knight of faith in several of his pseudonymous works, with the most in-depth and detailed critique exposited in Fear and Trembling and in Repetition.
Kierkegaard does not merely talk about self-reliance; his entire literary art is devoted to the promotion of self-reliance." [38] Jean-Paul Sartre vehemently disagreed with Kierkegaard's subjective ideas. He was Hegelian and had no room in his system for faith. Kierkegaard seemed to rely on faith at the expense of the intellect.