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Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
0–9. 1. X. 1905; 4 Pièces caractéristiques (Clara Schumann) 4 Polonaises (Clara Schumann) 12 Fantasias for Solo Flute; 12 Fantasias for Solo Violin (Telemann)
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
Gurre-Lieder (Songs of Gurre) is a tripartite oratorio followed by a melodramatic epilogue for five vocal soloists, narrator, three choruses, and grand orchestra. The work, which is based on an early song cycle for soprano, tenor and piano, was composed by the then-Austrian composer Arnold Schoenberg from 1900 to 1903. After a break, he resumed ...
Oskar Merikanto (pronounced [ˈoskɑr ˈmeriˌkɑnto] ⓘ; born Frans Oskar Ala-Kanto; 5 August 1868, Helsinki – 17 February 1924, Hausjärvi-Oitti) was a Finnish composer, music critic, pianist, and organist.
The Sarabande was quoted by Joe Hisaishi in the song "Nausicaä · Requiem" from his score for Hayao Miyazaki's 1984 animated film Nausicaä of the Valley of the Wind. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots , "Still a Queen (In My End Is My Beginning)", from her album Eternal ...
The songs were first published as a collection in their versions for piano accompaniment in 1905, and later re-published, in full score, along with the Der Knaben Wunderhorn settings of "Revelge" and "Der Tamboursg’sell" in Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) in 1910.
Due to his sudden and early death, Gibbons' output was not as large as that of his older contemporary William Byrd, [1] but he still managed to produce various secular and sacred polyphonic vocal works, including consort songs, services, more than 40 full anthems and verse anthems, a set of 20 madrigals as well as at least 20 keyboard works and ...