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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]
One of the earliest examples of Byzantine mosaic art in the region can be found on Mount Nebo, a place of pilgrimage in the Byzantine era where Moses died. Among the many 6th century mosaics in the church complex in an area known as Siyagha (discovered after 1933) the most interesting one is located in the baptistery.
Helen C. Evans is an American art historian and curator specializing in Byzantine art. Evans has worked for the Metropolitan Museum of Art since 1991 and was co-curator along with William D. Wixom of its 1997 exhibition, The Glory of Byzantium: Art and Culture of the Middle Byzantine Era. She became a scholar devoted to the documentation of ...
During the Umayyad Caliphate era (661-750), as far as the Byzantine impact on early Islamic architecture is concerned, the Byzantine arts formed a fundamental source to the new Muslim artistic heritage, especially in Syria. There are considerable Byzantine influences which can be detected in the distinctive early Islamic monuments in Syria (709 ...
The Byzantine Empire's history is generally periodised from late antiquity until the Fall of Constantinople in 1453 AD. From the 3rd to 6th centuries, the Greek East and Latin West of the Roman Empire gradually diverged, marked by Diocletian's (r. 284–305) formal partition of its administration in 285, [1] the establishment of an eastern capital in Constantinople by Constantine I in 330, [n ...
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
Constantinople and the West: Essays on the Late Byzantine (Palaeologan) and Italian Renaissances and the Byzantine and Roman Churches. Madison: The University of Wisconsin Press, 1989; Late Byzantium Reconsidered: The Arts of the Palaiologan Era in the Mediterranean, edited by Andrea Mattiello and Maria Alessia Rossi. London: Taylor and Francis ...
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