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[1]: 231 Jonathan Bloom cites the glazed tiles on the minaret of the Kutubiyya Mosque, dating from the mid-12th century, as the earliest reliably-dated example of zellij in Morocco. [14]: 26 The individual tile pieces are large, allowing the pattern to be visible from afar. Each piece was pierced with a small hole prior to being baked so that ...
The earliest azulejos in the 13th century were panels of tile-mosaic known as alicatados (from Arabic: ﻗَﻄَﻊَ, romanized: qata'a, lit. 'to cut'), [6] [7]: 24 known as zellij in Islamic architecture. [8] Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form geometric patterns.
These are the cheapest range of bought materials and can be glazed or unglazed. The glazed ceramic tiles have the color painted onto the top of the clay and then fired to a high temperature in a kiln. The unglazed or body glazed version has the color mixed into the wet clay so the color runs through them. They vary in size. [2]
Ceramic tiles may be painted and glazed. Small mosaic tiles may be laid in various patterns. Floor tiles are typically set into mortar consisting of sand, Portland cement and often a latex additive. The spaces between the tiles are commonly filled with sanded or unsanded floor grout, but traditionally mortar was used.
Gaudí tended to create patterns with his trencadís work, and he leaned towards brightly colored glazed ceramic shards. He often used discarded pieces of ceramic tile collected from the factory Pujol i Bausis located in Esplugues de Llobregat, as well as pieces of white ceramic from broken cups and plates discarded by other Spanish manufacturers.
The production of glazed ceramics did not stop abruptly with the arrival of Islam, but on the contrary continued for some time. Thus, we know of jars and amphorae probably produced after the conquest, but which retain the old models. From a decorative point of view, these pieces are covered with a monochrome glaze, most often yellow or green.
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