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English: Lute, flute and stick zither in Borobudur relief, 1880 photo. This image show the lute's bridge and that the stick zither could be played with a plectrum. The stick zither is similar to the Khmer Kse diev.
The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī [7]). [8] The long lute had an attached neck, and included the sitar, tanbur and tar: the dutār had two strings, setār three strings, čārtār four strings, pančtār five strings. [5] [6]
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of ...
While there is no exact date that the alto flute was created, large flutes have existed for several hundred years. [1] Some problems with early alto flute design included the long length of the tube, troublesome cross fingerings, inconsistent intonation, finger holes that were too wide across, and how far one’s arm had to be stretched in order to reach the finger holes, particularly in the ...
Instrument Picture Classification H-S Number Elementary organology class Origin Common classification Relation Celesta-struck idiophone-metallophone-set of percussion plaques
To produce a sound with an open flute, the player is required to blow a stream of air across a sharp edge that then splits the airstream. This split air stream then acts upon the air column contained within the flute's hollow, causing it to vibrate and produce sound. Examples of open flutes are the transverse flute, panpipes, and shakuhachi. [5]
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
Others attribute the decline of the recorder in part to the flute innovators of the time, such as Grenser, and Tromlitz, who extended the transverse flute's range and evened out its tonal consistency through the addition of keys, or to the supposedly greater dynamic range and volume of the flute. [89]