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Graham also utilizes jazz progressions to re-innovate and contemporize traditional sounds, especially on the blues tracks of the album. For example, the opening track is a cover of "Leavin' Blues", written by Lead Belly , which is a straightforward blues in C. Graham's version uses the DADGAD guitar tuning, and he speeds up the tempo to give it ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
The collection also contained two tracks written by Johnson. [6] The album was well received. [7] As Johnson appropriated the Houserocker moniker, so his backing ensemble became known as the Shadows, and they combined to become the house band at Blind Willie's. [4] In 1991, his second album, Houserockin' Daddy, was released on the Wild Dog ...
Blues Deluxe is the third studio album by American blues-rock musician Joe Bonamassa.Recorded at Unique Recording Studios in New York City.. It was produced by Bob Held and features nine cover versions of songs by classic blues artists and three original tracks (two co-written by Mike Himelstein, one by Will Jennings).
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