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Regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, bleep, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term, so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech ...
The Technocultural Studies major program is an interdisciplinary integration of current research in cultural history and theory with innovative hands-on production in digital media and "low-tech". It focuses on the fine and performing arts, media arts, community media, literature and cultural studies as they relate to technology and science.
The original widespread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, [1] although the word "electronica" had already begun to be associated with synthesizer ...
Energy Flash: A Journey Through Rave Music and Dance Culture is a book by English music journalist Simon Reynolds which chronicles the development of dance and rave music from the mid-1980s to the early 2000s. The book was published in the United States under the title Generation Ecstasy: Into the World of Techno and Rave Culture.
Date of origin Locale of origin Electroacoustic music: Early 1940s Egypt Musique concrète: 1940s Egypt (Cairo), France Acousmatic music: Late 1940s France (Paris) Drone: 1960s United States: Dub: Late 1960s Jamaica Ambient: Late 1960s – early 1970s Germany, Jamaica, Japan, United Kingdom: Electronic rock: Late 1960s – early 1970s
The production of music is integral in culture technology. For cultural technology, production of music helps create differentiated content to set trends in the K-pop world—trends that vary from music to also costume, choreography, and music videos. SM in particular focuses heavily on the expansion globally. [9]
Gabber (/ ˈ ɡ æ b ər / GAB-ər; Dutch: ⓘ) is a style of electronic dance music and a subgenre of hardcore, as well as the surrounding subculture.The music is more commonly referred to as hardcore, and is characterised by fast beats, distorted and heavy kickdrums, with dark themes and samples.
Early examples of industrial music are arguably found in Pierre Schaeffer's 1940s musique concrète and the tape music of Halim El-Dabh, the former of which is akin to the aesthetics of 1970s industrial music, while artists such as early 20th century Italian futurist Luigi Russolo laid the groundwork for the genre with his book and work The Art ...