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Most of the company’s early wares carried one of the various “Nippon” back stamps to indicate its country of origin when exported to Western markets. [5] Today, many collectors agree that the best examples of “Nippon-era” (1891–1921) hand painted porcelain carry a back stamp used by "Noritake" during the Nippon era. [citation needed]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern KyÅ«shÅ«.
Oribe Black (Oribe-guro), early Edo period, c. 1620 Cornered bowl, Mino ware, Oribe type, early Edo period, 1600s. Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century.
Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
Wilder Austin Pickard (1857–1939) started the company in 1894 by offering his customers hand-painted giftware, artware, and eventually dinnerware. He moved the company to Chicago in 1897. The company was originally called Pickard China Studio and it specialized in hand-decorating dessert and tea sets.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start KyÅ«shÅ«'s non-existent ...
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