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It depicts a view of the Colosseum in Rome viewed from the Palatine Hill which along with the Roman Forum was known at the time as the Campo Vaccino, due to its use as an enclosure for cattle brought for the city's markets. The rural surroundings of the Ancient Roman landscape are emphasised in Eastlake's painting. [2]
The Colosseum (/ ˌ k ɒ l ə ˈ s iː ə m / KOL-ə-SEE-əm; Italian: Colosseo [kolosˈsɛːo], ultimately from Ancient Greek word "kolossos" meaning a large statue or giant) is an elliptical amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is still the ...
Pollice Verso (from Latin: with a turned thumb) is an 1872 painting by French artist Jean-Léon Gérôme, featuring the eponymous Roman gesture directed to the winning gladiator. The thumbs-down gesture in the painting is given by spectators at the Colosseum , including the Vestals , to the victorious murmillo , while the defeated retiarius ...
The painting almost immediately kicked off a controversy over the accuracy of Gerome's use of the thumbs-down gesture by spectators in the Colosseum. A 26-page pamphlet published in 1879, "Pollice Verso": To the Lovers of Truth in Classic Art, This is Most Respectfully Addressed , reprinted evidence for and against the accuracy of the painting ...
A new discovery at the Colosseum in Rome proves ancient Romans had a modern approach to stadium seating. According to Discovery News, ongoing restoration in the 2,000-year-old monument has ...
Two starkly different views by two French Academic painters of the Vestals in their front-rows seats at the Roman Colosseum: Pollice Verso (Thumbs Down), 1874, by Jean-Léon Gérôme (detail; Phoenix Art Museum), and the Vestals in a painting by Hector Leroux, c. 1890 (private collection).
The three versions of Ancient Rome, in order of creation, are located in the Staatsgalerie Stuttgart, the Metropolitan Museum of Art in New York and the Louvre in Paris. The Metropolitan Museum of Art and the Louvre each hold a version of Panini's companion piece, Modern Rome; and the third version is in the Museum of Fine Arts, Boston.
This painting shows the artist in the role of Grand tourist with the Colosseum in the background. It is signed and dated lower center MARTYN VAN HEMSKER AO AETATUS SUA LV 1553. It shows the artist twice; once in bust form looking at the viewer as if to say "Behold the wonders of Rome!" and again as an artist sketching the Colosseum.
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