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  2. Pure-tone audiometry - Wikipedia

    en.wikipedia.org/wiki/Pure-tone_audiometry

    Conventional audiometry tests frequencies between 250 hertz (Hz) and 8 kHz, whereas high frequency audiometry tests in the region of 8 kHz-16 kHz. Some environmental factors, such as ototoxic medication and noise exposure, appear to be more detrimental to high frequency sensitivity than to that of mid or low frequencies. Therefore, high ...

  3. Audiogram - Wikipedia

    en.wikipedia.org/wiki/Audiogram

    "Conventional" pure tone audiometry (testing frequencies up to 8 kHz) is the basic measure of hearing status. [6] For research purposes, or early diagnosis of age-related hearing loss, ultra-high frequency audiograms (up to 20 kHz), requiring special audiometer calibration and headphones, can be measured. [7]

  4. Equivalent rectangular bandwidth - Wikipedia

    en.wikipedia.org/wiki/Equivalent_rectangular...

    The equivalent rectangular bandwidth or ERB is a measure used in psychoacoustics, which gives an approximation to the bandwidths of the filters in human hearing, using the unrealistic but convenient simplification of modeling the filters as rectangular band-pass filters, or band-stop filters, like in tailor-made notched music training (TMNMT).

  5. Minimum audibility curve - Wikipedia

    en.wikipedia.org/wiki/Minimum_audibility_curve

    Minimum audibility curve is a standardized graph of the threshold of hearing frequency for an average human, and is used as the reference level when measuring hearing loss with an audiometer as shown on an audiogram.

  6. ITU-R 468 noise weighting - Wikipedia

    en.wikipedia.org/wiki/ITU-R_468_noise_weighting

    ITU-R 468 (originally defined in CCIR recommendation 468-4, therefore formerly also known as CCIR weighting; sometimes referred to as CCIR-1k) is a standard relating to noise measurement, widely used when measuring noise in audio systems.

  7. Equal-loudness contour - Wikipedia

    en.wikipedia.org/wiki/Equal-loudness_contour

    The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.

  8. Absolute threshold of hearing - Wikipedia

    en.wikipedia.org/wiki/Absolute_threshold_of_hearing

    The threshold of hearing is frequency-dependent and it has been shown that the ear's sensitivity is best at frequencies between 2 kHz and 5 kHz, [5] where the threshold reaches as low as −9 dB SPL. [6] [7] [8]

  9. A-weighting - Wikipedia

    en.wikipedia.org/wiki/A-weighting

    A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]

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