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A Hakata figurine of a bushi of the Kuroda clan. A Hakata doll (博多人形, Hakata ningyō) is a traditional Japanese clay doll, originally from the city of Fukuoka, part of which was previously named Hakata before the city merger in 1889.
Earthenwares were made as early as the Jōmon period (10,500–300 BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573–1603 ...
Dogu (Japanese: 土偶, IPA:; literally "earthen figure") are small humanoid and animal figurines made during the later part of the Jōmon period (14,000–1,000 BC) of prehistoric Japan. [a] Dogū come exclusively from the Jōmon period, and were no longer made by the following Yayoi period.
The Jōmon pottery (縄文土器, Jōmon doki) is a type of ancient earthenware pottery which was made during the Jōmon period in Japan. The term "Jōmon" ( 縄文 ) means "rope-patterned" in Japanese, describing the patterns that are pressed into the clay.
The Hollow Dogū (中空土偶, chūkū dogū) is a Japanese dogū or clay figurine of the Late Jōmon period (c. 1500–1300 BC). A chance find from what was to become the Chobonaino Site in Hakodate, Hokkaido, it is exhibited at the Hakodate Jōmon Culture Center.
The earliest pottery in Japan was made at or before the start of the Incipient Jōmon period. Small fragments, dated to 14,500 BC, were found at the Odai Yamamoto I site in 1998. Pottery of roughly the same age was subsequently found at other sites such as in Kamikuroiwa and the Fukui cave .
Japanese doll in traditional kimono and musical instrument. Japanese dolls (人形, ningyō, lit. ' human form ') are one of the traditional Japanese crafts. There are various types of traditional dolls, some representing children and babies, some the imperial court, warriors and heroes, fairy-tale characters, gods and (rarely) demons, and also people of the daily life of Japanese cities.
The stimulus of Western art forms returned sculpture to the Japanese art scene and introduced the plaster cast, outdoor heroic sculpture, and the school of Paris concept of sculpture as an "art form". Such ideas adopted in Japan during the late 19th century, together with the return of state patronage, rejuvenated sculpture.
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