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Nero AAC Codec is a set of software tools for encoding and decoding Advanced Audio Coding (AAC) format audio, and editing MPEG-4 metadata. It was developed and distributed by Nero AG, and is available at no cost for Windows and Linux for non-commercial use. The codec was originally part of Nero Digital, but was later released as a stand-alone ...
Nero Digital is a brand name applied to a suite of MPEG-4-compatible video and audio compression codecs developed by Nero AG of Germany and Ateme of France.The audio codecs are integrated into the Nero Digital Audio+ audio encoding tool for Microsoft Windows, and the audio & video codecs are integrated into Nero's Recode DVD ripping software.
FAAC (Freeware Advanced Audio Coder) is a software project which includes the AAC encoder FAAC and decoder FAAD2.It supports MPEG-2 AAC as well as MPEG-4 AAC. It supports several MPEG-4 Audio object types (LC, Main, LTP for encoding and SBR, PS, ER, LD for decoding), file formats (ADTS AAC, raw AAC, MP4), multichannel and gapless encoding/decoding and MP4 metadata tags.
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In May 2006, Nero AG released an AAC encoding tool free of charge, Nero Digital Audio (the AAC codec portion has become Nero AAC Codec), [75] which is capable of encoding LC-AAC, HE-AAC and HE-AAC v2 streams. The tool is a command-line interface tool only.
HE-AAC is supported in the open source FAAD/FAAD2 decoding library and all players incorporating it, such as VLC media player, Winamp, foobar2000, Audacious Media Player and SonicStage. The Nero AAC Codec supports decoding HE and HEv2 AAC. HE-AAC is also used by AOL Radio and Pandora Radio clients to deliver high-fidelity music at low bitrates.
Nero AAC Codec; VisualOn AAC Encoder (a.k.a. libvo_aacenc) Fraunhofer FDK AAC; libaacplus; MPEG-4 Audio. Advanced Audio Coding (AAC, MPEG-4 Part 3 subpart 4), HE-AAC and AAC-LD. FAAC, FAAD2; FFmpeg; iTunes; Nero AAC Codec; MPEG-4 AAC reference software (ISO/IEC 14496-5:2001) Harmonic and Individual Lines and Noise (HILN, MPEG-4 Parametric Audio ...
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.