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Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
In 2016, Asim Azhar and Momina Mustehsan performed a medley of two of Haider's singles, "Tera Woh Pyar" and "Nawazishein Karam", (Urdu: نوازشیں کرم) during the ninth season of Coke Studio. Haider served as the music director and keyboardist for the Coke Studio version, with additional lyrics provided by Naqash Hyder. This version was ...
"Tarana-e-Milli" (Urdu: ترانۂ ملی) or "Anthem of the Community" is an enthusiastic poem in which Allama Mohammad Iqbal paid tribute to the Muslim Ummah (nation) and said that Islam is the religion of the world. He recognized all Muslims anywhere in the world as part of a single nation, [1] [2] whose leader is Muhammad, the prophet of ...
Urdu poetry (Urdu: اُردُو شاعرى, romanized: Urdū Shāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . Several prominent Urdu poets include Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938) and Josh ...
Nasim Amrohvi or Syed Qaim Raza Taqvi (Urdu: نسیم امروہوی, romanized: Allamah Nasīm Amrohvī; (24 August 1908 – 28 February 1987) was a Pakistani Urdu poet, philosopher, and lexicographer who was born as Syed Qaim Raza Taqvi on 24 August 1908 in Amroha, British India. [1] [2] He belonged to a Taqvi Syed family. His father was Syed ...
Ginans (Urdu: گنان, Gujarati: ગિનાન; derived from Sanskrit: ज्ञान jñana, meaning "knowledge") are devotional hymns or poems recited by Shia Ismaili Muslims. Literally meaning gnosis, ginans are the devotional literature of the Nizari Ismailis of South Asia, spanning topics of divine love, cosmology, rituals, eschatology ...
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
It was again used (with altered lines) as the lyrics for songs two films: in the title song of the 1999 film Sarfarosh (Zindagi Maut Na Ban Jaye), and in the 2002 Hindi film, The Legend of Bhagat Singh. The poem has also been used in the 2000 film, Dhadkan and the 2006 film, Rang De Basanti, being featured heavily for the track Lalkaar in the ...