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"Doo Wop (That Thing)" is a song by American rapper and singer Lauryn Hill from her debut solo studio album, The Miseducation of Lauryn Hill (1998). It was written and produced by Hill. It was written and produced by Hill.
Doo Wop (That Thing)" was then released as the album's official lead single on August 10, 1998, [81] debuting atop the US Billboard Hot 100 and breaking numerous chart records. [ b ] Stephanie Gayle, senior director of marketing at Columbia Records, retrospectively analyzed: "'Lost Ones' set the tone for how Lauryn the solo artist would be ...
[3] [4] [5] The lead single released from the album was "Doo Wop (That Thing)", which debuted at number one on the Billboard Hot 100. [6] Other charted singles from the album were "Ex-Factor", "Everything Is Everything" and "To Zion". [6] During 2000, Hill dropped out of the public eye.
Hill was awarded Video of the Year at the 1999 MTV Video Music Awards, for her music video "Doo Wop (That Thing)", becoming the first hip hop video to win. Additionally Hill has won four NAACP Image Awards, Including the President's Award.
That same year, Rolling Stone placed her single "Doo Wop (That Thing)" and the Fugees version of "Killing Me Softly" on their revised list of the 500 Greatest Songs. [325] The Smithsonian National Museum of African American History and Culture included "Doo Wop (That Thing)" on their Anthology of Hip-Hop and Rap box set. [326]
The Solitaires formed in Harlem in 1953. They started as a street-corner singing group, one of many that used to congregate on 142nd Street. [2] The original lineup consisted of Eddie "California" Jones (lead singer), Nick Anderson (first tenor), Winston "Buzzy" Willis (second tenor), Rudy "Angel" Morgan (baritone), and Pat Gaston (bass).
Pages in category "Doo-wop songs" The following 86 pages are in this category, out of 86 total. This list may not reflect recent changes. 0–9. 16 Candles (song) A.
Doo-wop (style of rhythm and blues music that often employs nonsense syllables) Scat singing influenced the development of doo-wop and hip hop. It was popular enough in doo-wop that Barry Mann and Gerry Goffin made it the subject of a 1961 song, Who Put the Bomp (in the Bomp, Bomp, Bomp)".