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[10] [11] The doubleneck eliminated the need to switch guitars mid-song: [2] at the beginning of "Stairway to Heaven", he used the bottom 6-string neck for the intro and first verse, then switched to the top 12-string neck, then to the 6-string neck for the extended guitar solo, and back to the 12-string for the final chorus.
In the 1970s and 1980s Mike Rutherford of Genesis was known for playing a custom-made Shergold Modulator twin-neck guitar-bass unit in live shows, as he frequently changed between lead guitar, 12-string guitar and bass guitar, depending on the arrangement of the song. The unique design of this guitar set is that it consists of several modular ...
Fender Fantasy and Aztec: These were the 2 names planned before the name "Coronado" was selected. Early guitars often have no model name on the headstock, but rather simply "Fender". Several early Coronado II models saw the pickup toggle switch installed near the guitars' volume and tone knobs, rather than in the standard cutaway position.
The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
It features a single color, a vivid Trans Amber finish with gold-plated hardware, and a string-through tailpiece. The guitar features a solid Mahogany body and neck, rosewood fretboard, a pair of hand-wound '57 Classic pickups, and a single volume knob. The headstock was borrowed from the 1958 Gibson Futura/Explorer patent dated January 7, 1958.
Comedian and singer George Gobel had a special version of the Gibson L-5 archtop guitar custom designed and gifted to him by his friend Milton Berle in 1958, the "L-5CT" (cutaway, thin), featuring diminished dimensions of neck scale (24 3/4") and body depth (2 3/8"), befitting his own small stature, and a cherry red finish (for optimal ...
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