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Scott of The New York Times lavished the film with praise, concluding, "The rigors of life can grind you down. The rigor of art can have the opposite effect, and The Turin Horse is an example — an exceedingly rare one in contemporary cinema — of how a work that seems built on the denial of pleasure can, through formal discipline, passionate ...
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The mild initial curiosity stirred by Zoom-shot movies died quickly, because so few of them were watchable, and because filmmakers quickly found workarounds to create more fluid entertainments ...
An uptight New York City businesswoman, played by Sarah Jessica Parker, visits her boyfriend's family home for the holidays, where she doesn't exactly fit in with the boisterous, freewheeling Stones.
Reviews of Godzilla Against Mechagodzilla have been positive. Mike Pinsky of DVD Talk gave the film three stars out of five, saying: "While I did have some minor complaints, [this is] a fine entry in the series." Pinsky said "the plot is more interesting than most giant monster movies," and "the battle scenes, which are the main reason anyone ...
Absolute Power was met with mixed reviews from critics. In her review in The New York Times, Janet Maslin gave it a mixed review, writing, "Mr. Eastwood directs a sensible-looking genre film with smooth expertise, but its plot is quietly berserk." Maslin goes on to write, "Mr. Eastwood's own performance sets a high-water mark for laconic ...
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.