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Initially modern dropped ceilings were built using interlocking tiles and the only way to provide access for repair or inspection of the area above the tiles was by starting at the edge of the ceiling, or at a designated "key tile", and then removing contiguous tiles one at a time until the desired place of access was reached.
Tin ceiling in a private music room, Queensland, Australia, 1906. Tin ceilings were traditionally painted white to give the appearance of hand-carved or molded plaster. They were incorporated into residential living rooms and parlors as well as schools, hospitals and commercial businesses where painted tin was often used as wainscoting.
Until 1984, [4] the Artex coating was made with white asbestos (Chrysotile) to strengthen it. This material is only harmful when in a powder form, such as when being sanded or while drilling holes, and poses no risk while it is undisturbed on ceilings or walls and covered with emulsion paint.
Ceiling tiles, especially in old Mediterranean houses, were made of terracotta and were placed on top of the wooden ceiling beams and upon those were placed the roof tiles. They were then plastered or painted, but nowadays are usually left bare for decorative purposes. Modern-day tile ceilings may be flush mounted (nail up or glue up) or ...
Alternatively, ceilings may be spray painted instead, leaving the pipework and ducts exposed but painted, and using spray foam. A subset of the dropped ceiling is the suspended ceiling, wherein a network of aluminum struts, as opposed to drywall, are attached to the joists, forming a series of rectangular spaces.
The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down. Encaustic tiles may be glazed or unglazed and the inlay may be as shallow as 1 ⁄ 8 inch (3 mm), as is often the case with "printed" encaustic tile from the later medieval period , or as deep as 1 ⁄ 4 in (6.4 mm).
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