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Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Hawk, woodblock print. Utagawa Kuniyoshi (Japanese: 歌川 国芳, [ɯtaɡawa kɯɲiꜜjoɕi]; 1 January 1798 [1] – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. [2] He was a member of the Utagawa school. [3]
At the time of their introduction to the West, woodblock printing was the most common mass medium in Japan, and the Japanese considered it of little lasting value. [101] Early Europeans promoters and scholars of ukiyo-e and Japanese art included writer Edmond de Goncourt and art critic Philippe Burty, [102] who coined the term Japonism.
Musha-e (武者絵) is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. [1] [2]
The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and later in Europe, where Hokusai's art inspired works by the Impressionists. Several museums throughout the world hold copies of The Great Wave, many of which came from ...
Two Actors in Samurai Roles from the series "Tales of Brave Warriors of Renown" is an ukiyo-e woodblock print diptych by Osaka-based late Edo period print designer Gosōtei Hirosada (五粽亭廣貞) (fl. c. 1819-1863).
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