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Side two represents Nimoy's interests in a variety of songs: novelty, pop, country and love songs. Side one of this album is presented on the Varèse Sarabande Records 1995 reissue of Leonard Nimoy Presents Mr. Spock's Music from Outer Space .
A decade after the September 11 attack, Bass attended the Gander commemoration ceremony. At the ceremony, she was approached by two songwriters, Irene Sankoff and David Hein, who wanted to interview her. [3] In order to make the musical Come from Away, they asked Bass about her journey in becoming the first female captain for American Airlines ...
In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a suspended chord on the open strings. A well known user of modal tunings is Sonic Youth. Asus2: E-A-B-E-A-E
The album cover features two depictions of Oldfield's signature Tubular Bells logo, one in bright pink and the other in dark blue, on a blue night's sky background. It was released on the same day as a number of other Oldfield releases; QE2 and Platinum remasters, and a 6 CD boxed set.
At the age of 15, he wrote his first song, titled "Please Help Me", and while in Swindon College attracted the nickname "Rocky" for his early guitar mastery of the Beatles' "Rocky Raccoon". [9] Partridge eventually dropped out of school and formed the first of several "loud and horrid" rock bands with the purpose of meeting girls. [10]
In standard jazz harmony, tritone substitution works because the two chords share two pitches that themselves are a tritone apart: namely, the third and the seventh of the chord, albeit reversed. [8] In a G 7 chord, the third is B and the seventh is F; in its tritone substitution, D ♭ 7, the third is F and the seventh is C ♭ (enharmonically ...
Unlike the dominant triad or dominant seventh, the leading-tone triad functions as a prolongational chord rather than a structural chord since the strong root motion by fifth is absent. [ 6 ] On the other hand, in natural minor scales , the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad ...
Sheila Romeo explains that "[i]n theory, any chord from any mode of the scale of the piece is a potential modal interchange or borrowed chord. Some are used more frequently than others, while some almost never occur." [1] In the minor mode, a common borrowed chord from the parallel major key is the Picardy third.