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Portal:Classical music/Quotes/13 And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria , Mozart , Berlioz , Verdi , Fauré , Dvořák , Duruflé and Britten .
In the classical music tradition, this type of setting may be referred to as an art song. A poem set to music in the German language is called a lied, or in the French language, a Mélodie. A group of poems, usually by the same poet, which are set to music to form a single work, is called a song cycle.
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
Pages in category "Musical settings of poems by Johann Wolfgang von Goethe" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes .
Common Service Book of the Lutheran Church (1917) [286] Hauge Synod. The Lutheran Hymnary (1913) [287] Lutheran Church in America / Evangelical Lutheran Church in Canada. Service Book and Hymnal of the Lutheran Church in America (1958) [288] Songs and Hymns for Primary Children (1963) [289] Church School Hymnal for Children, Grades 3 to 6 (1964 ...
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The Magnificat on the wall of the Church of the Visitation. According to Saint Augustine, it was Saint Ambrose who, in the 4th century, introduced the use of hymns outside the liturgy of the Western Church. [14] By the 8th century, popular hymns such as Ave Maris Stella had appeared as plainsong in Vespers and many other hymns were later based ...