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Platonic love [1] is a type of love in which sexual desire or romantic features are nonexistent or have been suppressed, sublimated, or purgated, but it means more than simple friendship.
The Clitophon (Ancient Greek: Κλειτοφῶν, also transliterated as Cleitophon; Latin: Clitopho) is a 4th-century BC dialogue traditionally ascribed to Plato, though the work's authenticity is debated.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
The Symposium [a] is a Socratic dialogue by Plato, dated c. 385 – 370 BC. [1] [2] It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet.
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint."
Српски / srpski: Platon Atanacković (1788 -1867) je bio episkop budimski (1839-1851) i bački (1851-1867), pisac, politički radnik i veliki dobrotvor srpske prosvete. English: Platon Atanacković (1788 -1867) was the bishop of Buda (1839-1851) and Bačka (1851-1867), a writer, political worker and a great benefactor of Serbian education.
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The heart of the dialogue opens with a challenge by Socrates to the elder and revered Parmenides and Zeno. Employing his customary method of attack, the reductio ad absurdum, Zeno has argued that if as the pluralists say things are many, then they will be both like and unlike; but this is an impossible situation, for unlike things cannot be like, nor like things unlike.