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Paris is a symbol of France and fashion, known for its cultural environment. France is known as a country of luxury, fashion and beauty, with Paris as one of the world's fashion capitals. It also has many cities and towns with an important history and industry of the entry, with various sized events and shows as fashion weeks and fests.
The innovative Galerie des modes is the most expansive and perhaps the best known project of the print merchants Jacques Esnauts (or Esnault) and Michel Rapilly. Both of these men hailed from the region of Normandy (Esnauts came from Magny-le-Désert, and Rapilly came from Pirou), and the name of their publishing house, Ville de Coutances, reflects these common origins.
The boys' uniforms are made of shirt with long or short sleeves, long trousers with various colours set by their school and girls uniforms with similar colours are often a shirt and a skirt. Many schools require students to wear shoes, ties and ID cards, and schools has strict policies with hair styles and required to comb their hair down and ...
Centre National du Costume de Scene (CNCS) (English: National Center of Stage Costume (CNCS)) is a French museum dedicated to stage costumes and sets.. It was inaugurated on 1 July 2006 in Moulins, Allier by Renaud Donnedieu de Vabres the Minister of Culture, Pierre-André Périssol the mayor of Moulins and Christian Lacroix, dressmaker and board chairman. [1]
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Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
The women wear long dresses with white aprons, lace collars with lace headdresses. And men wear a white shirt with black trousers along with a close-fitting vest. The distinctive Breton costume is deeply associated with their culture. [1] [2] In the early 20th century there were said to be nearly 800 different types of the Breton lace headdress ...
The Parade Armour of Henry II of France, now in the Metropolitan Museum of Art, New York, is believed to date from c 1553–55 and its decoration is attributed to the French goldsmith and engraver Étienne Delaune. Designed for use in pageantry, the armour was fashioned of gold, silver and steel and with leather and red velvet trimmings. [1]