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Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Psychoanalytic and psychoanalytical are used in English. The latter is the older term, and at first, simply meant 'relating to the analysis of the human psyche.' But with the emergence of psychoanalysis as a distinct clinical practice, both terms came to describe that. Although both are still used, today, the normal adjective is psychoanalytic. [3]
Some the most influential psychoanalysts and theorists, philosophers and literary critics who were or are influenced by psychoanalysis include: Karl Abraham – psychoanalyst Nicolas Abraham – psychoanalyst
Lacanianism or Lacanian psychoanalysis is a theoretical system initiated by the work of Jacques Lacan from the 1950s to the 1980s. It is a theoretical approach that attempts to explain the mind, behaviour, and culture through a structuralist and post-structuralist extension of classical psychoanalysis .
Psychoanalysis modified by object relations techniques has been shown to be effective in many cases of ingrained problems of intimacy and relationship (cf. the many books of Otto Kernberg). [137] Psychoanalytic treatment, in other situations, may run from about a year to many years, depending on the severity and complexity of the pathology.
Literary criticism has been almost more prepared than psychoanalysis to make at least metaphorical use of the term 'Destrudo'. Artistic images were seen by Joseph Campbell in terms of "incestuous 'libido' and patricidal 'destrudo'"; [ 56 ] while literary descriptions of the conflict between destrudo and libido [ 57 ] are still fairly widespread ...
Psychoanalytic literary criticism is a method of reading and analysing texts through the lens of psychoanalytic principles. [3] It is largely informed by Freudian psychoanalysis, but has since grown into its own field in literary theory, influenced by the work of psychoanalysts such as Carl Jung, Melanie Klein, and Jacques Lacan.
Some Character-Types Met within Psycho-Analytic Work is an essay by Sigmund Freud from 1916, comprising three character studies—of what he called 'The Exceptions', 'Those Wrecked by Success' and 'Criminals from a Sense of Guilt'.