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TASCAM released the new Model series in the Fall of 2018 with the Model 24 integrated 24-track production studio for mixing, recording, and use as a DAW controller. TASCAM followed up with the Model 16, a lower-priced 16-track mixing/recording studio in 2019, and released the Model 12, which introduced MIDI controller capabilities, hardware ...
It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [3] The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for ...
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
3 + 3 ⁄ 4 in/s and 7 + 1 ⁄ 2 in/s are the speeds that were used for (the vast majority of) consumer market releases of commercial recordings on reel-to-reel tape. 3 + 3 ⁄ 4 in/s is also the speed used in 8-track cartridges. 1 + 7 ⁄ 8 in/s is also the speed used in Compact cassettes.
TASCAM also produced a 24-track DASH recorder, the DA-800/24. With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate , although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution.
Maxxum United States Dynax European Union α (Alpha) Japan Release Year Minolta Maxxum 9000: Minolta 9000 AF: Minolta α-9000: 1985-09 Minolta Maxxum 7000 (with and without "crossed XX")
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
A further reduction of backing to 0.5 or 0.75 mils (13 or 19 μm) and total thickness to 26 micrometres (1.0 mil) resulted in double-play tapes of 2,400 feet (730 m) on a seven-inch reel. [1] This and thinner tapes were not commonly used on ten-and-a-half-inch reels, as the tape was too fragile for the angular momentum of the larger reels ...
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