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Kōdō includes all aspects of the incense process, from the tools (香道具, kōdōgu), to activities such as the incense-comparing games kumikō (組香) and genjikō (源氏香). [1] Kōdō is counted as one of the three classical Japanese arts of refinement, along with ikebana for flower arrangement, and chadō for tea and the tea ceremony.
The variety of household and decorative items are made including vases, plates, pots, lamps, tea-pots, bowls, vessels, incense stick holders and statues of Hindu religious figures. Surahi, a long-necked water pot, is a popular item. [3] [5]
Incense is understood as symbolizing the sanctifying grace of the Holy Spirit and the prayers of the Saints rising to heaven. Incense is offered by the priest or deacon during the services. In some traditions, the ecclesiarch (sacristan) and his assistant (paraecclesiarch) will perform the censing at specific moments of the service.
For direct-burning incense, pieces of the incense are burned by placing them directly on top of a heat source or on a hot metal plate in a censer or thurible. [ 3 ] Indirect-burning incense, also called "non-combustible incense", [ 4 ] is a combination of aromatic ingredients that are not prepared in any particular way or encouraged into any ...
Patterns varied from regular geometric designs featuring brightly coloured reserves and simple gilding, through intricate neo-rococo designs of scrolls and acanthus leaves, to ornate encrusted decorative wares. Many of the more decorative pieces feature landscapes, floral and botanical specimens.
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Frankincense (foox/fooh) or a prepared incense (uunsi), is placed on top of hot charcoal inside an incense burner, the dabqaad. It then burns for about ten minutes. This keeps the house fragrant for hours. The dabqaad pot is made from a white clay or soapstone found in specific areas of Somalia.
Pinch pots are the simplest and fastest way of making pottery, [1] simply by pinching the clay into shape by using thumb and fingers. Simple clay vessels such as bowls and cups of various sizes can be formed and shaped by hand using a methodical pinching process in which the clay walls are thinned by pinching them with thumb and forefinger.
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