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Parmigianino was a pioneer of Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen. Though the techniques of printing the copper plates required special skills, the ease with which acid, as a substitute for ink, could reproduce the spontaneity of an artist's hand attracted ...
Holy Family with the Infant Saint John the Baptist is a painting by Parmigianino, executed c. 1528. It was in the Palazzo Farnese in Rome until 1662, when it moved to Parma. There it hung in the Palazzo del Giardino and later in the Galleria Ducale - the 'Descrizione' of the latter in 1725 called it one of the finest works on display there.
The saint's pose may have been intended as an homage to Parmigianino's elder fellow artist Correggio, who was also based in Parma. Correggio's Venus and Cupid with a Satyr (Louvre} may have inspired St Jerome's pose with his feet forward, head tilted backwards and his body at once vertical and horizontal. In Correggio's painting, the naked love ...
The Conversion of Saint Paul is an oil painting on canvas of 1527 by Parmigianino, now in the Kunsthistorisches Museum, in Vienna. [1]It was seen in the house of Giovanni Andrea, a major figure in Parma, by both Giorgio Vasari (1550) and Lamo (1560).
The Holy Family with Angels is an oil on panel painting by Parmigianino, from c. 1524. It is held in the Museo del Prado, in Madrid. [1]It is usually identified with the "large painting" showing "Our Lady with the Christ Child on her neck taking fruit from an angel's lap and an old man with hairy arms" which Giorgio Vasari states Parmigianino produced just before leaving for Rome, adding that ...
The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari, [1] there Parmigianino painted two tempera panels: St. Francis Receiving the Stigmata (lost) and the Marriage of St. Catherine, which was placed
Art historians [3] have noted that the left-hand putto under Mary's hand is almost a twin copy of that painted by Parmigianino under the north arch of the dome in San Giovanni Evangelista, though it may be a mid 1520s study later used for that putto rather than vice versa. The present state of the work makes it impossible to define its origins ...
Pages in category "Paintings by Parmigianino" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. A.
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