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Although tempo is described or indicated in many different ways, including with a range of words (e.g., "Slowly", "Adagio", and so on), it is typically measured in beats per minute (bpm or BPM). For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two ...
Metronomes often display both BPM numbers and traditional tempo markings, which are written words conveying a range of tempos and an associated character. For example, the Italian term Vivace indicates a tempo typically between 156 and 176 BPM, but it also communicates that the music should be played with a lively character. [12]
Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster tempo) Lento: slow: Slow tempo Lentando: slowing: Decelerating, slowing down L'istesso tempo: the same time: At the same tempo Moderato ...
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
This variation breaks away from the original tempo and is marked Allegro vivace. It replaces the theme's 3 4 time signature with 2 4. It is a virtuosic Allegro in a two-part contrapuntal texture reminiscent of a two-part invention. This is the only variation in this movement to end on forte.
Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement. Fourth Movement
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