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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from ...
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
Hooked On Bach - 5:59 (All music composed by Johann Sebastian Bach) Ave Maria, "Méditation sur le Premier Prélude de Piano de J. S. Bach" / Charles Gounod; Minuet in G Major, BWV Anh. 114; Orchestral Suite No. 2 in B Minor, BWV 1067, VII: Badinerie; Brandenburg Concerto No. 3 in G Major, BWV 1048, I; Brandenburg Concerto No. 2 in F Major, BWV ...
Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as Carl Friedrich Zelter, Robert Franz, and Franz Liszt, or combined with new music such as the melody line of Charles Gounod's Ave Maria.
The two major primary sources for this collection of Preludes and Fugues are the "London Original" (LO) manuscript, dated between 1739 and 1742, with scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC 2, [34] and for Version B, that is the version published by the 19th ...
Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
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