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Balkan folk music is the traditional folk music within Balkan region.In South Slavic languages, it is known as narodna muzika (народна музика) or folk muzika (фолк музика) in Bulgarian, Macedonian, and Serbo-Croatian, and alternatively narodna glazba in standard Croatian, and narodna glasba in Slovene.
The first examples of Macedonian pop music appeared in the mid-20th century and was called "zabavna muzika". The most famous old-generation performers are Zafir Hadzimanov, Verica Risteska, Dragan Mijalkovski and many others. According to style, Macedonian pop music is a Western type of pop music, with influences of folk and oriental music.
Starogradska muzika (Bulgarian, Macedonian and Serbian: староградска музика; literally "old town music") is a kind of urban traditional folk music found in Bulgaria, North Macedonia and Serbia.
Makedonija Zasekogaš [1] (in Macedonian Cyrillic: Македонија Засекогаш, English translation: Macedonia Forever) often credited as Makedonija Zasekogash, is a project made by the Agency for youth and sport of Macedonia realized with an album.
Simon Kiselicki was born on 25 October 1974 in Skopje, Yugoslavia (present-day North Macedonia).At a young age his parents bought him a melodica which he constantly played, but was fed up of having to blow through the mouthpiece to receive a note.
1964, Gramophone record "MAKEDONSKA ORA" PGP RTB EP 14704; [68] [1] 1979, Gramophone LP (Long Play) record "Makedonski igraorni ora sviri Tale Ognenovski" PGP RTB LP1439 STEREO [22] [1] and Cassette PGP RTB NK10280; 1972, Gramophone LP (Long Play) record PGP RTB LP 1210 and PGP RTB LP 1211 STEREO and Cassettes PGP RTB NK 10018 and Cassettes PGP ...
" Zemjo Makedonska " [1] (in Macedonian: Земјо Македонска) is a Macedonian folk song about Macedonia. The lyrics of the song are based on a poem [ 2 ] by Ivan Vazov dedicated to the Montenegrin Uprising from 1876–1877 against the Ottomans .
The origins of Sevdalinka are not known for certain, although it is known to date at least as far back as to the arrival of the Ottomans in the medieval Balkans.Their melodies and the venerable lyrical figure of "Aman, aman" hint at a Sephardic and Andalusian influence, which can be explained by the arrivals of Sephardic refugees into Ottoman Bosnia, or more likely attributed to an Ottoman ...