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The song is among the most difficult for musical theatre performers, with one verse containing 68 words to be sung in roughly 11 seconds: where a successful performance “depends on clear diction, implicit pitch accuracy and breath support alongside imperative comedic timing.” [2] [3]
A music video for the song was released on the YouTube channel of Paris's label Guerrilla Funk Records. [100] Immortal Technique has also condemned sexism numerous times. The track "Crossing the Boundary," from his 2003 album Revolutionary Vol. 2, begin with the line, "I never make songs that disrespect women". [101]
The original song was already a marvel on eternal sunshine, so the added drama that Ariana's runs and live vocal gymnastics provide makes this version even more fun. 5. "euphoria" by Kendrick Lamar
Back to You (Louis Tomlinson song) Bad for Me (Meghan Trainor song) Bad Girl (Avril Lavigne song) A Bad Goodbye; Bad Things (Machine Gun Kelly and Camila Cabello song) The Ballad of Tom Jones; Bang-A-Boomerang; Barbie Girl; Barcelona (Freddie Mercury and Montserrat Caballé song) Barefoot in the Park (song) The Battle Hymn of Love; The Battle ...
The result was an epic Team Legend Battle that Gwen Stefani described as "so entertaining and so weird — in the best way ever!"
Snoop, 53, praised the Philadelphia native, saying she worked on "one of the hardest songs that you could ever give somebody to sing on this show." Other coaches were also in shock.
Garbage wanted to write a song that incorporated a thumping, repetitive bassline to act as a hook. [13] Continuing to develop the demo throughout the recording process for what would eventually become the band's debut album, the group decided to add textures, guitars and keyboards to make "Stupid Girl" dynamic rather than the product of complicated chord changes. [2]
Because of the constant singing of eighth notes in 6 8 meter at an allegro vivace tempo, the piece is often noted as one of the most difficult baritone arias to perform. [1] This, along with the tongue-twisting nature of some of the lines, insisting on Italian superlatives (always ending in "-issimo"), have made it a pièce de résistance in which a skilled baritone has the chance to highlight ...