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Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer ...
It is a llatai poem, which is to say one in which an animal or inanimate object is sent bearing a message of love. In this case an ocean wave is sent by the poet's beloved in Anglesey, and reaches him as he returns by ship from a pilgrimage to Santiago de Compostella. It is thought to have been written in or about the 1370s.
The poem was awarded a 1955 Glascock Prize [1] and appeared in Mademoiselle in August 1955, accompanying an article about the prize. [ 6 ] : 163 Plath used "Two Lovers and a Beachcomber by the Real Sea" as the title poem of a collection she submitted unsuccessfully to the Yale Series of Younger Poets , [ 2 ] [ 6 ] [ 7 ] and as a working title ...
The earliest written version of the song was published in John Lomax's Cowboy Songs and Other Frontier Ballads in 1910. It would first be recorded by Carl T. Sprague in 1926, and was released on a 10" single through Victor Records. [9] The following year, the melody and lyrics were collected and published in Carl Sandburg's American Songbag.
It is a compilation of poems referring to the sea or the sea-shore. [1] Sea-Drift follows the section titled A Broadway Pageant, and precedes the section By The Roadside. The poems included in Sea-Drift are: Out of the Cradle Endlessly Rocking; As I Ebb'd with the Ocean of Life; Tears; To the Man-of War Bird; Aboard at a Ship's Helm; On the ...
Crossing the Bar" is an 1889 elegiac poem by Alfred, Lord Tennyson. The narrator uses an extended metaphor to compare death with crossing the " sandbar " between the river of life, with its outgoing "flood", and the ocean that lies beyond death , the "boundless deep", to which we return.
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Coleridge often made changes to his poems and The Rime of the Ancient Mariner was no exception – he produced at least eighteen different versions over the years. [20] (pp 128–130) He regarded revision as an essential part of creating poetry. [20] (p 138) The first published version of the poem was in Lyrical Ballads in 1798.