Search results
Results from the WOW.Com Content Network
Hunger is the leitmotif of the film, especially hunger of the body and mind. The movie presents in a framework all these hungers, heightened or lessened, which form the substance of all human life in all ages."
The use of characteristic, short, recurring motifs in orchestral music can be traced back to the early seventeenth century, such as L'Orfeo by Monteverdi.In French opera of the late eighteenth century (such as the works of Gluck, Grétry and Méhul), "reminiscence motif" can be identified, which may recur at a significant juncture in the plot to establish an association with earlier events.
A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. [34] Writing for Rolling Stone , Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes ...
Apocalypse Now: 1979 Francis Ford Coppola "Ride of the Valkyries" [1] [9] Nosferatu the Vampyre: 1979 Werner Herzog: Das Rheingold [25] The Blues Brothers: 1980 John Landis "Ride of the Valkyries" [1] [9] Excalibur: 1981 John Boorman: Parsifal, Tristan und Isolde, Götterdämmerung [1] [9] Wagner: 1983 Tony Palmer: Siegfried [1] Détective ...
Donnelly cites Mark Brownrigg as stating that Shore's score "marks a homology between [Wagner's] nibelungen and the Orcs", commenting that the parallel makes Shore's use of Wagner-style leitmotifs "apt". [59] He is less certain of the appropriateness of the use of sounds from the Maghreb and the Arab world more generally for themes representing ...
American Fiction is the soundtrack to the 2023 film of the same name directed by Cord Jefferson, based on the 2001 novel Erasure by Percival Everett.The film's musical score composed by Laura Karpman featured 21 tracks from the film score for around 47 minutes.
The group composed the fascistic-inspired Panem national anthem, entitled "Horn of Plenty", a leitmotif appearing throughout the film. [8] [9] "We were interested in making music that would be more integral in the movie, just as a mental exercise," Butler, who co-wrote the song with Chassagne, explained. "And there's an anthem that runs ...
The first section is the most recognizable and is built around the titular "Hedwig's Theme", which John Williams uses as a leitmotif to represent the magical world. [4] The second section is built around the faster "Nimbus" theme, which Williams uses as a leitmotif to represent Harry's broomstick, the Nimbus 2000 , and more generally, to ...