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Space: 1999, a British science-fiction television series, ran for 48 episodes broadcast between 1975 and 1977. The first series (or season, often referred to as Year One) of 24 episodes began transmission in 1975, though production of the first episode began in 1973.
Space: 1999 is a British science-fiction television programme that ran for two series from 1975 to 1977. [2] In the premiere episode, set in the year 1999, nuclear waste stored on the Moon's far side explodes, knocking the Moon out of orbit and sending it, as well as the 311 inhabitants of Moonbase Alpha, hurtling uncontrollably into space.
The Full Circle; I. The Infernal Machine (Space: 1999) J. ... Matter of Life and Death (Space: 1999) The Metamorph; Missing Link (Space: 1999) Mission of the Darians ...
"The Full Circle" is the fifteenth episode of the first season of Space: 1999. The screenplay was written by Jesse Lasky, Jnr and Pat Silver; the director was Bob Kellett. The final shooting script is dated 17 September 1974. Live-action filming took place Tuesday 24 September 1974 through Tuesday 8 October 1974. [2]
"The Lambda Factor" is the 17th episode of the second series of Space: 1999 (and the 41st episode overall of the programme). The screenplay was written by Terrance Dicks; the director was Charles Crichton. The final shooting script is dated 6 August 1976, with amendments dated 2 September, 15 September, 27 September, 28 September, 29 September ...
"Brian the Brain" is the fifth episode of the second series of Space: 1999 (and the 29th episode overall of the programme). The screenplay was written by Jack Ronder; the director was Kevin Connor.
As the Moon drifts through empty space, the off-duty personnel of Moonbase Alpha gather in the Recreation Section for an evening of music. Playing to a full house, a solo artist performs a haunting piece on an electric sitar. At Hydroponic Unit Two Doctor Dan Mateo and three colleagues are in the midst of an unorthodox experiment.
In a positive review, John Kenneth Muir describes the premise of a living rock taking over humans as "very clearly a technological space-age update of the traditional zombie story". Likening the Eagle laboratory to a " haunted house setting", Muir calls the episode "stylish and smart in visual approach", praising its use of close-ups and ...
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