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The standard lens is the Carl Zeiss Planar 1:2 f=50mm in bright aluminium finish with a chrome 49 mm thread filter ring and an outer bayonet for Zeiss-Ikon filters. The lens focuses to 0.3 m (1 ft 0 in), which is closer than the usual 0.5 m (1 ft 8 in) for a normal lens. The focusing helical is remarkably smooth and precise.
The Vario-Tessar name has been used by Zeiss for various zoom lenses fitted to Sony cameras, including that of the digital still cameras Sony Cyber-shot DSC-P100, [18] DSC-P200, and DSC-W330 as well as the E-mount lenses such as Sony Alpha Carl Zeiss Vario-Tessar T* E 4/16-70mm ZA OSS (Sony SEL-1670Z) and Sony Alpha Carl Zeiss Vario-Tessar T ...
The Sony Zeiss Vario-Tessar T* FE 24-70mm F4 ZA OSS is a constant maximum aperture full-frame (FE) zoom lens for the Sony E-mount, announced by Sony on October 16, 2013. [ 1 ] [ 2 ] Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 36 ...
First workshop of Carl Zeiss in the center of Jena, c. 1847 Carl Zeiss Jena (1910) One of the Stasi's cameras with the special SO-3.5.1 (5/17mm) lens developed by Carl Zeiss, a so-called "needle eye lens", for shooting through keyholes or holes down to 1 mm in diameter 2 historical lenses of Carl Zeiss, Nr. 145077 and Nr. 145078, Tessar 1:4,5 F=5,5cm DRP 142294 (produced before 1910) Carl ...
In photographic optics, the Zeiss formula is a supposed formula for computing a circle of confusion (CoC) criterion for depth of field (DoF) calculations. The formula is c = d / 1730 {\displaystyle c=d/1730} , where d {\displaystyle d} is the diagonal measure of a camera format, film, sensor, or print, and c {\displaystyle c} the maximum ...
The Vario-Sonnar T* DT 16–80 mm f/3.5-4.5 ZA (SAL-1680Z) is a high-quality zoom lens compatible with cameras using the Sony α, and Minolta AF lens mounts. It was designed and is manufactured by Sony in Japan in collaboration with Carl Zeiss .
Topogon-design lens and auxiliary viewfinder for the Mamiya Press line of cameras. Goerz was merged into the Zeiss Ikon company in 1926. [9] An independent branch of Goerz in America, which had been established in 1895, licensed the Topogon design to Bausch & Lomb, who produced it as the Metrogon for the United States, citing the same US patent as the Topogon.
The Kolibri 523/18 was a camera by Zeiss Ikon, made between 1930 and 1935. The Kolibri took sixteen 3x4cm exposures on 127 film. The camera featured a collapsible lens tube and was arranged in a vertical format, with a flip-up viewfinder on the top. On the right-hand side was the winding knob and a tripod bush; there was another tripod bush at ...
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