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Children of Darkness is a 1983 American documentary film on PBS produced by Ara Chekmayan and Richard Kotuk. It was nominated for an Academy Award for Best Documentary Feature . [ 1 ]
The Yorùbá believe that previous bearers of a name have an impact on the influence of the name in a child's life. Yorùbá names are traditionally classified into five categories: [2] Orúko Àmútọ̀runwá 'Destiny Names', ("names assumed to be brought from heaven" or derived from a religious background). Examples are: Àìná, Ìgè, and ...
The Republic of Benin and Nigeria contain the highest concentrations of Yoruba people and Yoruba faiths in all of Africa. Brazil , Cuba , Puerto Rico , Haiti , Jamaica , Trinidad and Tobago are the countries in the Americas where Yoruba cultural influences are the most noticeable, particularly in popular religions like Vodon, Santéria ...
From the Yoruba language, Olorun's name is a contraction of the words oní (which denotes ownership or rulership) and ọ̀run (which means the Heavens, abode of the spirits). Another name, Olodumare, comes from the phrase "O ní odù mà rè" meaning "the owner of the source of creation that does not become empty," "or the All Sufficient".
Four rich men (the Merry Men) seduce powerful women, and live a Robin Hood-esque life. They embody the stereotypical description of a Yoruba demon hence the subtitle of the movie's name. They face their biggest challenge yet when they antagonize a notorious and corrupt politician who plans on demolishing a village to build a shopping mall.
Pretty much every funny movie quote from the 1975 film is still as hilarious as it was back in 1975. Maybe more so after circulating through pop culture for last 50 years.
Her name is a contraction of the Yoruba words Iye, a dialect variant of "ìyá" meaning "mother"; ọmọ, meaning "child"; and ẹja, meaning "fish"; roughly translated the term means "mother of fish children". This represents the vastness of her motherhood, her fecundity, and her reign over all living things.
Elesin Oba, The King's Horseman is a 2022 Yoruba-language Nigerian historical drama film directed by Biyi Bandele and distributed by Netflix, based on Wole Soyinka's Death and the King's Horseman, a stage play he wrote while in Cambridge, where he was a fellow student at Churchill College during his political exile from Nigeria, [1] and it is based on a real incident that took place in ...