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Pompadour at Her Toilette is an oil-on-canvas painting by François Boucher from 1750 (with later additions) depicting Madame de Pompadour, the mistress of King Louis XV of France. Boucher's painting titled "Madame de Pompadour" also demonstrates the Rococo style. The format of the painting changed several times after its initial creation.
He was born at Montagnac in Gascony.He received a military education and went to Paris in 1748 to study mathematics.He led a dissipated life and endeavoured to curry favor with Madame de Pompadour by secretly sending her a box of poison and then informing her of the supposed plot against her life, hoping that he could earn a reward of cash for warning her.
Madame de Pompadour, pastel by Maurice Quentin de La Tour, shown at the Paris Salon, 1755 . Madame de Pompadour was an influential patron of the arts who played a central role in making Paris the perceived capital of taste and culture in Europe.
Articles relating to Madame de Pompadour (1721–1764), the official chief mistress of King Louis XV from 1745 to 1751. Subcategories.
Jacques Guay (1711–1793) was a French gemstone engraver, a protégé of Madame de Pompadour (1721–1764), mistress of King Louis XV of France (1710–74). He was the most eminent gemstone engraver of his time, the official engraver of the king, and produced many cameo and intaglio engravings in semi-precious stones such as onyx, jasper and carnelian.
The King and Madame d’Étiolles decided that she should separate from her husband, and the proceedings were initiated by 9 May. Madame d’Étiolles requested custody of her nine-month-old daughter. She was then made marquise of Pompadour and began to be known as Madame de Pompadour.
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Madame de Pompadour was a particularly enthusiastic patroness of sculpture, and many busts and statues were made of her or commissioned by her. The most prominent sculptors of the early period were the Guillaume Coustou the Younger and his brother, Guillaume Coustou the Elder , Robert Le Lorrain , and Edmé Bouchardon .