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Paintings by Hieronymus Bosch, as well as paintings attributed to him or his school, have been compiled by various organizations. An investigation undertaken by The Bosch Research and Conservation Project of a multitude of Bosch's paintings included dendrochronological research and made an approximate dating of the paintings possible. [ 1 ]
The right panel (220 × 97.5 cm, 87 × 38.4 in) illustrates Hell, the setting of a number of Bosch paintings. Bosch depicts a world in which humans have succumbed to temptations that lead to evil and reap eternal damnation. The tone of this final panel strikes a harsh contrast to those preceding it.
Paintings by Hieronymus Bosch in the Museo del Prado (7 P) Pages in category "Paintings by Hieronymus Bosch" The following 41 pages are in this category, out of 41 total.
Hieronymus Bosch's first name was originally Jheronimus (or Joen, [8] respectively the Latin and Middle Dutch form of the name "Jerome"), and he signed a number of his paintings as Jheronimus Bosch. [9] His surname Bosch derives from his birthplace, 's-Hertogenbosch ('Duke's forest'), which is commonly called "Den Bosch" ('the forest'). [10]
In October 2015, the Bosch Research and Conservation Project, [9] which had been responsible, since 2007, for technical research on most of Bosch's paintings, rejected the attribution to Bosch and deemed it to be made by a follower, most likely the discipulo. [10] In response, the Prado Museum stated that they still consider the piece to be ...
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
A number represent alternate incarnations or preparatory sketches for his paintings. Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470 –1485), the middle period (c. 1485 –1500), and the late period (c. 1500 until his death).
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