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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. ... White-ground technique; Wild Goat Style
The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint. It dates to the 4th century BC. In the same room is kept a small lekythos with a plastic decoration, depicting a winged dancer.
The Reed Painter (fl. 420s–410s BC) is an anonymous Greek vase painter of white-ground lekythoi, a type of vessel for containing oil often left as grave offerings. Works are attributed to either the "Reed Painter" or his atelier .
A lekythos (Ancient Greek: λήκυθος; pl.: lekythoi) is a type of ancient Greek vessel used for storing oil, especially olive oil.It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug.
Cylix of Apollo with chelys lyre and his raven, pouring libation, white-ground bowl, circa 480 BC. Delphi, Archaeological Museum. The Pistoxenos Painter was an important ancient Greek vase painter of the Classical period. He was active in Athens between c. 480 and 460 BC. Many vases have been attributed to his hand on the basis of style.
One example of a white-ground lekythos by the Thanatos Painter is a vase in the Art Walters Museum (440–430 BCE). [3] The women are mourning over a deceased family member. There is a male figure approaching from the right side of the lekythos that is unseen by the women. He is a representation of the deceased family member. [3]
The vase was a grave marker to an aristocratic woman in the Dipylon cemetery. [17] This was the first phase of the late Geometric period (760–700 BC), in which the great vessels of Dipylon ware placed on the graves as funeral monuments [ 18 ] and represented their height (often at a height of 1.5 metres (4 ft 11 in)).
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