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  2. Lining of paintings - Wikipedia

    en.wikipedia.org/wiki/Lining_of_paintings

    Water damage may result in mold formations, a type of pest damage, on the canvas and pigment layers. It may also cause the canvas or framing supports to weaken and become flimsy resulting in tears from physical forces. [5] Ripples, waves, and undulations are also a common form of water damage.

  3. Conservation and restoration of painting frames - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    A frame before and after treatment. The conservation and restoration of painting frames is the process through which picture frames are preserved. Frame conservation and restoration includes general cleaning of the frame, as well as in depth processes such as replacing damaged ornamentation, gilding, and toning. The purpose of painting frames ...

  4. Conservation and restoration of paintings - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Conservation treatments can take the form of adhering a lining to the canvas with wax-resin to the reverse side, replacing the painting's original stretcher, and varnishing the painting. In Jackson Pollock's Echo, solvents were used to remove a thin layer of the canvas to even out the work's coloring. [32]

  5. Conservation and restoration of photographs - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and family photographs.

  6. Detachment of wall paintings - Wikipedia

    en.wikipedia.org/wiki/Detachment_of_wall_paintings

    In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...

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  9. Conservation and restoration of frescos - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    The back of the fresco is thinned to remove excess lime and reconstructed with a permanent backing made from two thin cotton cloths, called velatini, and a heavier cloth with a layer of glue. Two layers of mortar are then applied; first a rough one and then a smoother, more compact layer. The mortars make up the first real layer of the new backing.

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